Theo Eshetu
Theo Eshetu has worked in media art since 1982, creating installations, video art works, and television documentaries. As a videomaker, he explores the expressive capabilities of the medium and the manipulation of the language of television. Exploring themes and imagery from anthropology, art history, scientific research, and religious iconography, his work redefines how electronic media shapes identity and perception. World cultures, particularly the relationship of African and European cultures, often inform Eshetu’s work.
Theo Eshetu was born in 1958 in London and grew up in Addis Ababa, Dakar and London before establishing himself in Rome. He currently lives and works in Berlin. Throughout the '80s and '90s, his works were shown at major video art festivals, receiving awards in Berlin, Milan and Locarno. Eshetu's works have been presented at Von Verdrängtem, Der Nacht Und Der Farbe Schwarz (2018, curated by Heidi Brunnschweiler), Documenta 14 (2017), the Deutsche Bank Kunsthalle (2015), Göteborg Biennial (2015), Kochi Biennale (2014), the 54th Venice Biennal (2011), the Sharjah Biennial (2011), The Tropics (2009, curated by Alfons Hug) and Snap Judgements (2006, curated by Okwui Enwezor).
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Atlas Portraits: Alchemy double portrait, 2017-2018
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Atlas Portraits: Alchemy double portrait, 2017-2018
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Atlas Portraits: Atlas , 2017-2018
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Atlas Portraits: Death, 2017-2018
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Atlas Portraits: Judith Nefertiti, 2017-2018
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Atlas Portraits: Judy Nomad, 2017-2018
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Atlas Portraits: Self on Self, 2017-2018
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Atlas Portraits: Self-portrait, 2017-2018
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Atlas Portraits: The Brothers, 2017-2018
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Kiss the Moment, 2015
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The Slave Ship, 2015
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The Mirror Ball Constellation No.11, 2013-2015
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The Mirror Ball Constellation No.2, 2013-2015
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Burqa (Veiled Woman), 2011
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Veiled Woman on a Beachfront, 2011
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Twin Towers, 1999
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Ecstasy and ethnography in Geneva
Samuel Reilly, Apollo Magazine, July 25, 2018 -
This art lets you choose your own adventure. Get your cell phones ready.
Francesca Mattozzi , Artibune, April 15, 2018 -
Moving Pictures: a first generation video artist mixes ways of seeing
Anneliese Cooper, Modern Painters, October 1, 2015 -
The tenses in Theo Eshetu's the return of the Axum Obelisk
Soh Bejeng Ndikung, ArtReview, October 1, 2014 -
Theo Eshetu in conversation with Selene Wendt
Selene Wendt, Nka: Journal of African Contemporary Art, October 1, 2014